Grey Small

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Beige Medium

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Black Veins

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Grey Veins

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Blue Veins

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Gold Veins

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

Red

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

White Small

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

White Medium

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.

White Big Alternative

Obtained by stretching the impasto first by hand and then with CNC machining, Ruts alternates between flat portions, reminiscent of stone, to rectangular sections to create a succession with a solid and fortunate rhythm. The “cadence” of its grooves can be more or less dense, continuous or interrupted, but in each of its versions and in all the different colors, Ruts reveals, thanks to the intervention of the machine, the material uniqueness of paper pulp. They are indeed hard, mechanized cuts that speak of the very fiber of the paper as it pushes toward new dynamic and formal borders.