Gold

Pigmented veining flows along the sides of the impasto, oriented by the action of gradual manual pressure, thus imbuing the charm of a minimal, frozen movement against vast neutral backgrounds. Easily adapted to the greatest gamut of design solutions, Veins generates a spatiality that is unencumbered by colors and oriented toward the play of light. Reminiscent of marble, of stone, of wood, of the mosses and lichens of Salento, of time that marks and makes its own the calcareous stone. The lines confound and cross casually, and after the various phases of processing, they declare themselves in their continuous beauty.

Moss Grey

Pigmented veining flows along the sides of the impasto, oriented by the action of gradual manual pressure, thus imbuing the charm of a minimal, frozen movement against vast neutral backgrounds. Easily adapted to the greatest gamut of design solutions, Veins generates a spatiality that is unencumbered by colors and oriented toward the play of light. Reminiscent of marble, of stone, of wood, of the mosses and lichens of Salento, of time that marks and makes its own the calcareous stone. The lines confound and cross casually, and after the various phases of processing, they declare themselves in their continuous beauty.

Black

Pigmented veining flows along the sides of the impasto, oriented by the action of gradual manual pressure, thus imbuing the charm of a minimal, frozen movement against vast neutral backgrounds. Easily adapted to the greatest gamut of design solutions, Veins generates a spatiality that is unencumbered by colors and oriented toward the play of light. Reminiscent of marble, of stone, of wood, of the mosses and lichens of Salento, of time that marks and makes its own the calcareous stone. The lines confound and cross casually, and after the various phases of processing, they declare themselves in their continuous beauty.

Concrete Black

Pigmented veining flows along the sides of the impasto, oriented by the action of gradual manual pressure, thus imbuing the charm of a minimal, frozen movement against vast neutral backgrounds. Easily adapted to the greatest gamut of design solutions, Veins generates a spatiality that is unencumbered by colors and oriented toward the play of light. Reminiscent of marble, of stone, of wood, of the mosses and lichens of Salento, of time that marks and makes its own the calcareous stone. The lines confound and cross casually, and after the various phases of processing, they declare themselves in their continuous beauty.

Moss Black

Pigmented veining flows along the sides of the impasto, oriented by the action of gradual manual pressure, thus imbuing the charm of a minimal, frozen movement against vast neutral backgrounds. Easily adapted to the greatest gamut of design solutions, Veins generates a spatiality that is unencumbered by colors and oriented toward the play of light. Reminiscent of marble, of stone, of wood, of the mosses and lichens of Salento, of time that marks and makes its own the calcareous stone. The lines confound and cross casually, and after the various phases of processing, they declare themselves in their continuous beauty.

Red

The most versatile of the paper pulp skins, Piano implies a handmade nature revealed in a subtle and elegant manner through its surfaces polished by machine. The leveling action of a pantograph acts on the material, stretched by hand and then dried, bringing out unusual and fascinating aesthetic games. “Available” in all color interpretations, Piano is the most minimalist of the paper pulp surfaces: its smooth skin, susceptible to the slightest imperfections, is an excellent starting point for establishing the discourses of the most diverse spaces, whether on a small or large scale.

Beige

The most versatile of the paper pulp skins, Piano implies a handmade nature revealed in a subtle and elegant manner through its surfaces polished by machine. The leveling action of a pantograph acts on the material, stretched by hand and then dried, bringing out unusual and fascinating aesthetic games. “Available” in all color interpretations, Piano is the most minimalist of the paper pulp surfaces: its smooth skin, susceptible to the slightest imperfections, is an excellent starting point for establishing the discourses of the most diverse spaces, whether on a small or large scale.

Concrete

The most versatile of the paper pulp skins, Piano implies a handmade nature revealed in a subtle and elegant manner through its surfaces polished by machine. The leveling action of a pantograph acts on the material, stretched by hand and then dried, bringing out unusual and fascinating aesthetic games. “Available” in all color interpretations, Piano is the most minimalist of the paper pulp surfaces: its smooth skin, susceptible to the slightest imperfections, is an excellent starting point for establishing the discourses of the most diverse spaces, whether on a small or large scale.

Grey

The most versatile of the paper pulp skins, Piano implies a handmade nature revealed in a subtle and elegant manner through its surfaces polished by machine. The leveling action of a pantograph acts on the material, stretched by hand and then dried, bringing out unusual and fascinating aesthetic games. “Available” in all color interpretations, Piano is the most minimalist of the paper pulp surfaces: its smooth skin, susceptible to the slightest imperfections, is an excellent starting point for establishing the discourses of the most diverse spaces, whether on a small or large scale.